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    Interview ashley harrison on Apr 8th, 2015 at 5:54pm PDT

    “And she’s only just begun to be recognized in a certain segment of the society,” Krasny, who has been writing for decades about contemporary women for Esquire, tells me. “You have the people like Lena Dunham, the Lena Dunham of our day in terms of the fact that she is trying to push forward her own cultural conversation within the mainstream. But it’s also the fact that we’re not able to talk about Lena Dunham in that way anymore because she does not see herself as a part of that.”

    That’s why the show is so fascinating to watch — how it is so much of a journey in its own right, even to those who have never really met either woman before. “The thing is,” says Krasny, “The show’s creators, Amy and Lena Dunham, have been very clear that they feel like they have to push that narrative through the prism of the mainstream for it to become accessible to women who are, say, twenty-five or thirty years younger than her and they don’t want us to understand how much harder it is for women to navigate their own lives — just as it is for men.”

    It’s in their show’s insistence on breaking the fourth wall that we’re able to get inside each of their minds. What it really does is shift our perspective on the world — not just around us, but around ourselves and around our family members. And the show is so captivating to watch because it allows us to step back to consider what’s happening in the world and to rewind our own stories, and not just those of those we know.

    This article has been updated to include a comment from the show’s creator and former producer Amy Poehler.

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